The cliché statement they don’t make them like they used to anymore becomes especially poignant in the case of Tito Rodríguez. Arguably the most elegant vocalist to ever grace the spectrum of Afro-Caribbean music, Rodríguez showed an exquisite sensitivity when it came to designing the repertoire of the many LPs that he released during the 1950s. Released on the Tico …

Tiempo Pa’ Matar Willie Colón “Tiempo Pa’ Matar” is Willie Colón’s formal farewell to Fania Records in 1983 (although released in 1984), which coincided with his RCA (now BMG) debut Criollo. As I wrote in the notes for Vigilante, by then Willie was saving his best original work for his own comeback solo projects. Indeed, this record one was no …

This is the classic second album that Willie Colón recorded with Héctor Lavoe as his lead vocalist. The session would dictate the stylistic direction that both men took as one of the greatest salsa duos in history. Their debut album El Malo (1967) boasted a trombone heavy sound that was raw and unorthodox– perceived by the public as part of …

The fruitful career of the legendary queen of salsa Celia Cruz can be roughly divided into three distinct periods that, in many ways, mirror the development of Afro-Caribbean music during most of the twentieth century. First there was la reina’s artistic awakening in her native Cuba as part of La Sonora Matancera, a tropical supergroup that gave Cruz the opportunity …

Hector Lavoe was the most mercurial vocalist that Afro-Caribbean music has ever known. The salsa equivalent of a tragic rock’n’roll star, a heroin addict who died in 1993 at the young age of 46. A criminally underrated singer who, to this day, continues to be a virtual unknown within the American mainstream. But to his legions of fans, Hector Lavoe …

Like most of the collaborations between trombonist, composer and musical director Willie Colón and mercurial Puerto Rican singer Héctor Lavoé, the album that you hold in your hands transcends the boundaries of salsa. Released in 1970, “The Big Break” is a masterpiece of Latin music, the kind of formidable artistic statement that established the Fania label as a cultural icon– …

In 1967 Héctor Pérez agreed to record the album El Malo in order to please Johnny Pacheco, recording director and co-founder of Fania Records. The true story is that the president of Fania, Jerry Masucci, agreed to edit the first albums of Willie Colón’s band with the condition that among its ranks it would have a versatile, well-versed singer, who …

The year was 1972 and the Vietnam War was the top story on the news. President Richard Nixon had just been re-elected while reports of “Watergate” began to unfold. The civil rights movement was raging across the country as NBC Television launched Sanford & Son starring Redd Foxx. In New York City, the subway fare increased from 30 to 35 …

“El Baquiné de Angelitos Negros” marks a very important turning point in Willie Colón’s prolific salsa career. Firmly heralded as a salsa icon by 1977, the year this album was originally released, Colón was already looking for alternate musical roads. Although by 1975 there were already sketches of his orchestral approach, the truth is that the salsa world wasn’t yet …

Eight years after its creation, Fania Records had accumulated such a sizable catalog of artists that it began to issue compilations from its roster of hit-making stars such as Willie Colón, Larry Harlow, Johnny Pacheco, and Ray Barretto. In fact, Crime Pays was the first anthology the label put out in 1972. The ironically titled Crime Pays was a comment …

The hegemony of Willie Colón and Héctor Lavoe in the circuit of rising youth bands in New York around the middle of the 1960s was consolidated at the end of 1969 with the launch of the LP “Cosa Nuestra”. The cover photograph, a Henri Wolfe original, recreates a typical crime scene of the mafia and the underworld: a murder which …

Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the musicians …

The greatest Tropical Christmas album set ever is now being released for the 2011 season. It’s packaged in a digipack with both volumes of the evergreen classic and original booklets. With Christmas just a few weeks away, it’s time to focus on the amazing selection of Holiday albums that were produced during the apex of the salsa era. From Ismael …

“Asalto Navideño” is vintage salsa. The two parts of this two-record set came out in 1970 and 1973, respectively, the peak years of the salsa boom. Any list of the top ten all-time salsa classics would have to include “Asalto Navideño”, and there are many who would place it on the top shelf. Today, more than 30 years after its …

Born William Anthony Colón Román on April 28, 1950, Willie Colón almost single-handedly redefined salsa as a movement and way of life. Originally a trumpeter and a self-taught trombonist, his lack of technical virtuosity did not hinder him from becoming salsa’s trombone icon par excellence. A native Nuyorican, Colón grew up in the 1960s and unavoidably, some of the turbulence …

An incubator band for some of salsa’s greatest singers, Fania producer and trumpeter Luís Perico Ortiz brought Tommy Olivencia and his musicians from Puerto Rico to New York to record this blockbuster. Boasting several chart-breaking hits like “Planté Bandera”, “Casimira”, “Si Estas Herido”, “Evelio y La Rumba”, “A Mi Pai Chango”, and the now classic standard “Trucutu” penned by Olivencia’s …